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NUCOO Art is an independent curatorial and editorial platform dedicated to Afro-diasporic contemporary art, grounded in Caribbean and American contexts. Operating from the Caribbean, the platform is not confined to a local scene. It develops a curatorial framework aimed at engaging collectors, institutions, curators, and the press around emerging artists with strong formal and conceptual rigor.
Context
The Caribbean - particularly Guadeloupe, Martinique, and their diasporas—constitutes a region of dense artistic production. To date, the documentation of this production remains fragmented. NUCOO Art seeks to contribute to its legibility, both for the international scene and the local one. To name. To connect. To trace. To articulate a situated gaze.
The platform emerged from an observation
Afro-diasporic narratives are often interpreted through a Western lens that disembodies, neutralizes, or folklorizes them. NUCOO Art refines a line of thought that emerges from within these dynamics, without simplifying or aestheticizing them.
Gladys Acramel is an independent curator and the founder of NUCOO Art .
Trained in both finance and law, she develops a curatorial approach that articulates analytical rigor, a nuanced reading of cultural dynamics, and a strategic vision of collecting.
She supports collectors and artistic initiatives in structuring engaged projects that are aligned with contemporary issues.
The platform’s fields of inquiry traverse memory, Afro-descendant identity, Caribbean cultural heritage and its circulations, contemporary social transformations, and postcolonial dynamics across transatlantic and Mediterranean spheres, on a global scale.
NUCOO Art engages in dialogue with Afrofuturist imaginaries, which it approaches as an open question.
The name is inspired by the conuco - a term of Arawak-Taïno origin referring to a traditionally cultivated subsistence plot of land. Symbolically, it evokes a sacred, nourishing space tied to sovereignty.
The platform’s preferred mediums include: visual arts, photography, sculpture, installation, performance, and practices integrating AI.
A CURATOR'S STATEMENT
« What, in your view, makes one image stand out from another? »
What makes an image impose itself upon me is, first and foremost, something bodily - like a physical resistance, a slight shift in perception. An image also distinguishes itself when it compels the gaze to return.
Art as «living in the cracks, not in the varnish»
Roland Barthes described this as the punctum : that detail which escapes the frame, which pierces the gaze without warning - distinct from the studium, the cultivated and comfortable reading any informed viewer can produce. Koyo Kouoh, who defined art as «living in the cracks, not in the varnish», suggests that beauty lies not in the perfection of the surface, but in the productivity of rupture.
On Caribbean and diasporic work
It is this same rupture that I encounter- differently charged - when facing Caribbean and Afro-diasporic works. Here, it is no longer merely formal.
Caribbean peoples carry, within their cellular memory, the experience of the transatlantic slave trade, of slavery, of foundational uprooting. These ruptures, which could never be fully transmitted or articulated through ordinary language, have instead sedimented within artistic, musical, and gestural practices.
What I perceive in these works is therefore not only an aesthetic or an asserted cultural identity, but an asymmetry striving to emerge and to be named. This is why I have chosen to dedicate my curatorial gaze to Caribbean and diasporic art—not solely out of identity, but because this unresolved charge continues to shape form from within, and my body recognizes it.
My role as a curator is precisely to inhabit this interiority and this passage: to name complexity, to articulate what the work carries before the artist has fully formulated it—without betraying it, without over-interpreting it. It is from this encounter that curatorial work emerges.
NUCOO Art offers, upon request, curatorial advisory services for artists and collectors.
Get in touch : nucoo.art@gmail.com
ACTIVATING
AFRO-DIASPORIC MEMORY
TO SHAPE THE FUTURES
NUCOO Art documents contemporary Afro-diasporic creation since 2023.
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